A female fly’s previous sexcapades can have a profound effect on how her future children look, redefining the way scientists think about inheritance in insects.
Researchers at the University of New South Wales in Sydney, Australia, discovered that a mother’s first sexual partner can determine the size of her later offspring, even if he didn’t sire them. This odd evolutionary twist is caused by a secret compound in sperm.
“It is strange and certainly unexpected,” said Angela Crean, an evolutionary ecologist at the university who co-authored the study. “We thought genetics is how inheritance works, but that’s just one mechanism of inheritance.”
Everyone knows the story of how babies are made. Sperm meets egg and creates a new life-form, which is half father and half mother. However, there are environmental factors that affect the development of the fetus, like smoking (in humans) and other chemical exposures in the womb.
In the case of the fly, semen is an environmental factor that holds the key to a baby fly’s size—whether or not the baby is related to the fly that supplied the semen, according to a new study published in Ecology Letters.
Cooper Waldvogel could not wait for his mom to be dismissed before rushing up to her as she returned to Chisholm, Minnesota, on Tuesday – nine months after his father returned from his tour. Ignoring the strict military protocol, he ran up to the troops – into the arms of his mom Kathryn, a member of the National Guard. The line of uniformed officers of the National Guard’s 114th Transportation Company tried desperately to keep straight faces as the touching display reduced many to tearful smiles and laughter.
Muere lentamente quien no viaja,
quien no lee, quien no escucha música,
quien no halla encanto en si mismo.
Muere lentamente quien destruye su amor propio,
quien no se deja ayudar.
Muere lentamente quien se transforma en esclavo del habito, repitiendo todos los días los mismos senderos,
quien no cambia de rutina,
no se arriesga a vestir un nuevo color
o no conversa con desconocidos.
Muere lentamente quien evita una pasión
Y su remolino de emociones,
Aquellas que rescatan el brillo en los ojos
y los corazones decaídos.
Muere lentamente quien no arriesga lo seguro por lo incierto
para ir detrás de un sueño,
quien no se permite al menos una vez en la vida huir de los consejos sensatos…
¡Vive hoy! – ¡Haz hoy!
¡No te dejes morir lentamente!
¡No te olvides de ser feliz!
1. The museum started out as a fortress.
The Louvre began life in the late 12th century when Philip II (or Philip Augustus), the first person to be officially known as the King of France and one of medieval Europe’s most successful rulers, began construction on a defensive outpost near what was then the western border of Paris, along the bank of the River Seine. Designed to prevent invasions from the north, the arsenal included bastions at each corner, a surrounding moat and a massive, 98-foot-tall fortified tower, or keep, at its center. In the 14th century, with the city having spread far beyond its borders during Philip’s reign, a new series of defenses was constructed on the outskirts of Paris, and the fortress ceased to be used for defensive purposes. Today, visitors to the Louvre can view the remains of part of the fortress’ medieval masonry in the 13th century Salle Basse, or Lower Hall.
2. Philip’s fortress was razed to make way for a royal residence.
Charles V first modified the building’s original design in the 14th century, but the Hundred Years War derailed his more extensive plans for the Louvre. With successive monarchs opting to set up house elsewhere, the Louvre fell into disuse until 1527, when Francis I ordered the demolishment of the original structure in favor of a lavish new Renaissance-style compound. Indeed, Francis was an enlightened Renaissance ruler: An amateur poet and man of letters, he helped standardize the French language, he was the first European monarch in history to establish diplomatic relations with the Ottoman Empire and as a noted patron of the arts he cultivated a close relationship with Leonardo da Vinci, convincing the artist to move to France. The work Francis’ commissioned at the Louvre kicked off a century-long expansion; dozens of new wings and freestanding buildings were constructed at the site—many of them designed by the leading European architects of the day—which were eventually connected by a series of galleries and pavilions giving the building its unifying façade.
3. The buildings of the Louvre were once left abandoned and rotting.
Following the completion of the Palace of Versailles, the French court shifted its base away from Paris and the Louvre, leaving the building unfinished and in eventual disrepair. Those buildings that remained open eventually played host to a series of cultural groups that included painters, sculptors and writers as members. After more than a century, construction picked up once again, as a series of Bourbon kings lavished money on the site and the artistic contents within it—until the fall of the monarchy and the start of the French Revolution in 1789. With the deposed monarch and his family eventually imprisoned in the neighboring Tuileries Palace, the newly created National Assembly decreed that the Louvre be turned over to the government for the creation of a national museum open to the public. The Louvre first opened its doors on August 10, 1793, with an exhibit of more than 500 paintings and decorative arts, many of which had been confiscated from the royal family and French nobility.
4. The Mona Lisa hasn’t always been on display at the Louvre.
A number of da Vinci works would find their way into Francis I’s collection, including La Giaconda, one of the world’s most famous paintings. According to French folklore, Francis was even at da Vinci’s bedside when he died and following the artist’s death in 1519 , the king purchased the painting from an assistant. However, instead of gracing the walls of the Louvre, the painting spent centuries being shuttled among a series of royal palaces, spending time at Fontainebleau and Versailles. It was only after the fall of the monarchy and the establishment of the Louvre as a public museum that the Mona Lisa found a more permanent home. And there it has remained with a few notable exceptions: When Napoleon Bonaparte came to power, he had the painting hung on his bedroom wall. It was spirited away to safety in a secret location during the Franco-Prussian War and World War II. And in 1911 it was stolen right off the walls of the museum by an Italian criminal who claimed his motive was the painting’s repatriation to da Vinci’s native lands—for two years, visitors to the Louvre were greeted by a vacant spot on the wall where the painting had once been. After its return, the Mona Lisa wouldn’t leave the confines of the museum again for 50 years, until first lady Jacqueline Kennedy convinced French officials to allow the painting to tour museums in New York and Washington, D.C. for immensely popular events that became known as the first museum blockbuster exhibitions.
5. Napoleon Bonaparte temporarily renamed the museum after himself.
When Napoleon came to power he had the complex renamed in his honor, and soon the Musée Napoleon was overflowing with the artistic spoils of war as Bonaparte’s Grand Army swept across the continent. Among the cultural artifacts that made their way to Paris were hundreds of paintings and sculptures, including a set of antique bronze horses from the façade of St. Mark’s Basilica in Venice that became part of a triumphal arch outside the Louvre and another equine statue that had stood atop Berlin’s Brandenburg Gate. Napoleon had the statue, known as the “Quadriga,” packed up and sent to France for display in the Louvre, but it instead languished in storage until Napoleon’s fall in 1814, after which more than 5,000 pieces of art were returned to their rightful owners and Paris’ grandest museum got its current name.
6. The Louvre became a clearinghouse for artwork stolen by the Nazis during World War II.
One hundred and thirty years later, as another grand army swept across Europe (this time in the direction of France), conservators at the Louvre began to hastily prepare for the evacuation of tens of thousands of pieces of art. The first to go: The Mona Lisa, followed quickly by every valuable (or moveable) work. A caravan of more than three dozen trucks headed into the French countryside, shepherding the priceless works to safety in a series of private chateaus. After the German occupation of Paris, Nazi officials ordered the Louvre to reopen. It was an empty gesture, literally: The barren walls and ghostly corridors were now home only to those sculptures that had been too difficult to move (and even those that remained had been covered up by heavy burlap bags).
With no artwork to display, the Nazis decided to commandeer part of the museum as a clearinghouse to catalogue, package and ship art and personal items confiscated from wealthy French (primarily Jewish) families back to Germany. Known as the Louvre sequestration, it eventually took over six massive rooms in the museum, but it wasn’t the largest art theft operation in Paris during World War II. Under the command of Herman Goering, the nearby Jeu de Paume museum processed thousands of confiscated masterpieces. Many of them were earmarked for the personal collections of the Nazi high command, while those works deemed morally degenerate (including works by Picasso and Salvador Dalí) were sold to non-German collectors or eventually burned in a pubic bonfire at the Jeu de Paume in 1942. Thanks to an intrepid curator who served as a double agent during the plundering, many of the pieces that passed through the Jeu de Paume were eventually recovered. The Louvre, which had resisted working with the Nazis, was less successful in repatriating its lost artwork. More than 70 years after the Nazis marched into Paris, the museum continues to come under fire for its role in the greatest cultural theft in history and its reluctance to return contested artwork.
Growing up I always thought true love was red roses, dates on Saturday nights, little block box that held expensive things, and always knowing what to say. I thought true love was a kiss in the rain, deep explanations, and the perfect story. But now that I’m older I’ve realized it’s not like that at all.
See because true love for me is ugly snapchats, and peeing while you’re on the phone. True love is kissing at 6 AM despite the morning breath and singing at the top of your lungs. It’s saying all the wrong things, at all the wrong moments. It’s sarcasm and being honest even when it hurts. It’s late hours of the night when it’s been a long day and it’s no make up and bad hair. It’s tears from laughter, it’s tears from sadness and it’s nothing like any storybook you’ve ever read. It’s never running out of things to talk about, and it’s being comfortable in the silence of things. True love is watching The Titanic though you swore you never would. It’s getting mad over stupid things. It’s “you’re an idiot,” and “you’re a little shit” and knowing you’re so lucky to hear those every day. It’s spilling your feelings at 4 AM when you should be asleep. It’s that song you hear on the radio that always makes you smile. It’s the worst story you could imagine, but thank God it worked out anyways. True love is never losing the magic. True love is not leaving when things get hard.
I like my definition better anyways.
Another Piece About You
If you find a woman
with a wild heart
do not try to tame her.
You must adore her
recklessly, the way
she is meant to be loved.
Do not try to quiet her,
for her roars will reach
far and wide.
She has something
important to say.
Help her say it.
Do not get in her way.
She stops for no one.
Do not try to change
the path she has chosen.
Learn also to love the wind
and let it change you.
“You can be the ripest, juiciest peach in the world and there’s still going to be someone who hates peaches.”
- Dita von Teese
…Hitler şi Napoleon aveau fiecare numai câte un testicul?
…persoanele dreptace trăiesc în general cu şapte ani mai mult decât persoanele stângace?
…când strănuţi, toate funcţiile corpului se opresc, chiar şi inima?
…Brazilia este singura ţară care a jucat în fiecare Cupă Mondială?
…dacă iei orice număr, îl dublezi, aduni 10, împărţi prin 2 şi apoi scazi numărul iniţial, răspunsul va fi 5?
…Winston Churchill a fost născut într-o toaletă a femeilor în timpul unui dans?
…inima unei femei bate mai repede decât cea a unui bărbat?
…în America de Nord creşte un copac (pe care băştinaşii îl numesc „pomul dracului”), a cărui coajă conţine foarte mult fosfor, încât noaptea, lângă tulpina lui, se poate citi ca în orice sală de lectură?
…jocul de cărţi a fost inventat de chinezi în 1120?
…fructele culese în orele de dimineaţă sau de seară sunt mult mai gustoase decât cele culese la amiază?
…în pădurile tropicale, unde nu se schimbă anotimpurile, copacii nu au inele anuale?
…pensatul sprâncenelor devine nedureros dacă în prealabil se anesteziază arcada cu un cub de gheaţă?
…câteva picături de zeamă de lămâie puse în nări desfundă nasul fără să dea dependenţă. Tratamentul e cam neplăcut, dar sigur?
…China reprezintă consumatorul de carne de porc numărul unu pe plan mondial?
…vacile nu au dinţi superiori?
…la naştere, crevetele este mascul, apoi, pe măsură ce creşte, devine femelă?
…peştii de apă sărată beau apă, iar cei de apă dulce nu?
…podul Universităţii din Boston (pe Commonwealth Avenue, Boston, Massachusetts) este singurul loc din lume unde un vapor trece pe sub un tren, care trece pe sub o maşină, care trece pe sub un avion?
…o singură persoană din două miliarde trăieşte 116 ani sau mai mult?
revista “Lumea”, Nr. 7/2014